Lupe, Elirio, and Flapjack—an impala, a mosquito, and an octopus—work in a garage, repairing and detailing cars. When they discover their cat, Genie, is missing, they follow his tracks to a corn maze that turns out to be a trap used by the Aztec god Mictlantecuhtli to steal the skeletons of wayfarers. Can the trio challenge him in the underworld, rescue their pet, and return safely home? The artwork is intricate but accessible; the textures and colors invite imitation. The storytelling is inventive, juggling cultural references, surreal circumstances, and educational impulses. As in the previous volume, Lowriders in Space, the dialogue combines Spanish and English slang, with frequent footnotes and definitions for the Spanish terms. This reinforces a narrative distance created by the flat affect of the characters and the woodenness of the included vocabulary. Perhaps the book is trying to do too much, incorporating lucha libre, mythology, Day of the Dead imagery, fanciful geology lessons, and multilingual puns all into one narrative. Or perhaps readers just need to go along for the ride, bajito y suavecito.VERDICT A jumble of creative ambition, the compelling visuals and scattershot storytelling will appeal to those not distracted by the roller-coaster plotting and jagged, more-is-more approach. Purchase where the first installment is popular.

After winning the contest and raising enough money to open their own garage in Lowriders in Space (2014), Lupe Impala, El Chavo Flapjack, and Elirio Malaria are happily working on cars all day. But when an earthquake strikes and their beloved gatito, Genie, goes missing, they load up their ranfla and follow the trail of tiny cat paw prints. That trail leads them through a gigantic corn maze, toward a volcano, and right into the bone-strewn Realm of the Dead, lorded over by the terrifying Mictlantecuhti, the Aztec god of the underworld, who’s got his evil heart set on collecting the bones of our valiant trio and their gato. Raúl’s boisterous, high-octane artwork, stunning in blue, black, red, and green ballpoint pen, matches the manic energy of the story, and when the Lowriders take on Mictlantechuti in a lucha libre bust-up, his no-holds-barred style really shines. While the high-flying pace means that some story elements seem a bit rushed, the wild antics, exuberant illustrations, and frequent Spanish will launch the Lowriders straight into many hearts.